Creativity Boosts at From the Mixed-Up Files

I’m over at From the Mixed-Up Files of Middle-Grade Authors with a list of books I used to boost my creativity during a long, dark winter. Keep reading for a sneak peek of the post. Then head over to From the Mixed-Up Files for the rest of the list.

 

Sometimes, a month or so before the end of a long, dark winter, I start to feel my creativity wane. Everything feels a little cold. A little hidden. A little like it’s waiting for some magical thing to energize it. This year it’s taking longer than usual for that energizing force to show up. And, I’m not alone here. Even the buds on my fruit tree aren’t bursting forth yet. Maybe it’s the still too dark days, or the snow storm in the middle of April, or maybe it’s just not yet time yet. Whatever the reason, I weary of waiting, so I have been poring through my bookshelves, the internet,  and the local library, looking for inspiration. Here’s a list of what I’ve found:

Fairy Tales, Folktales, and Archetypes.

The symbolism of the shoes in Cinderella. The archetype of the Dark Man in dreams. The Ugly Duckling. The Baba Yaga. I’ve dug up old stories, new to me stories, and some new ways of thinking in the following books.

Fearless Girls and Wise Women, and Beloved Sisters

Dismayed by the predominance of male protagonists in her daughters’ books, Kathleen Ragan set out to collect the stories of our forgotten heroines. Gathered from around the world, from regions as diverse as sub-Saharan Africa and Western Europe, from North and South American Indian cultures and New World settlers, from Asia and the Middle East, these 100 folktales celebrate strong female heroines.

Fearless Girls, Wise Women, and Beloved Sisters is for all women who are searching to define who they are, to redefine the world and shape their collective sensibility. It is for men who want to know more about what it means to be a woman. It is for our daughters and our sons, so that they can learn to value all kinds of courage, courage in battle and the courage of love. It is for all of us to help build a more just vision of woman.

 

Women Who Run With the Wolves

Within every woman there is a wild and natural creature, a powerful force, filled with good instincts, passionate creativity, and ageless knowing. Her name is Wild Woman, but she is an endangered species. Though the gifts of wildish nature come to us at birth, society’s attempt to “civilize” us into rigid roles has plundered this treasure, and muffled the deep, life-giving messages of our own souls. Without Wild Woman, we become over-domesticated, fearful, uncreative, trapped. Clarissa Pinkola Estes, Ph.D., Jungian analyst and cantadora storyteller, shows how woman’s vitality can be restored through what she calls “psychic archeological digs” into the bins of the female unconscious. In Women Who Run with the Wolves, Dr. Estes uses multicultural myths, fairy tales, folk tales, and stories chosen from over twenty years of research that help women reconnect with the healthy, instinctual, visionary attributes of the Wild Woman archetype. Dr. Estes collects the bones of many stories, looking for the archetypal motifs that set a woman’s inner life into motion. “La Loba” teaches about the transformative function of the psyche. In “Bluebeard,” we learn what to do with wounds that will not heal; in “Skeleton Woman,” we glimpse the mystical power of relationship and how dead feelings can be revived; “Vasalisa the Wise” brings our lost womanly instincts to the surface again; “The Handless Maiden” recovers the Wild Woman initiation rites; and “The Little Match Girl” warns against the insidious dangers of a life spent in fantasy. In these and other stories, we focus on the many qualities of Wild Woman. We retrieve, examine, love, and understand her, and hold her against our deep psyches as one whois both magic and medicine. In Women Who Run with the Wolves, Dr. Estes has created a new lexicon for describing the female psyche. Fertile and lifegiving, it is a psychology of women in the truest sense, a knowing of the soul.

 

Creative Kick Starters

I picked up a couple of old favorites and some new reads for a fresh perspective, a pep talk, and a reminder to just keep going.

Head over to From the Mixed-Up Files of Middle-Grade Authors for the rest of the creativity boosts.

 

Retreating

A few years ago I was awarded a Residency from Playa, Summer Lake. Cue the universe. First, in the form of a wild fire
that postponed my much anticipated Residency for one year. Then, Covid, which is still postponing pretty much everything. But this month, the stars aligned, and I was able to pack a bag, some food. and my laptop for a much-needed internet-free retreat.

Armed with some wonderful advice from Therese at Writer Unboxed (if you are a writer and aren’t familiar with this blog, be sure to check it out!),
Jen Louden’s The Women’s Retreat Book, and my N95 masks, I set out for the Oregon’s Great Basin to do some much needed healing – of my manuscript, sure, but
also of my soul.

I was not disappointed.

Playa is a haven on Summer Lake – a  desert lake in Lake County, Oregon. The Great Basin landscape is a unique mix of ponds, dry lake bed, and wetlands.

It is magical.

It was the perfect place to rest, repair, and rejuvenate my writer self.

I spent my mornings watching the sun rise, journaling, and writing.

I took long walks. Sometimes I made notes about my novel using my phone’s voice recording app. Sometimes, I just walked.

I sat. (I honestly cannot remember the last time I just sat down and took in the world. It was marvelous).

I read.

I spent a not insignificant amount of time lying on my back on a bench by the pond, looking up through the trees, and feeling like a kid.

I wrote.

I did self-hypnosis.

I watched a hawk hunt, a woodpecker peck, and a flock of goldfinches flutter.

I spent my evenings watching the sun set, journaling, and writing.

I listened to coyotes sing.

I looked at the stars.

I felt my writer self expand. Which is magic in and of itself.

I can’t really articulate the value of my experience. 5 days, solely dedicated to your artistic self is a luxury that not many of us can afford – even in the best of times.
I’m not sure when I will be able to make such time again – let alone spend it in such a magical place.

But if you do get the opportunity to spend some time alone, dedicated to your writing self, I have a few tips to offer – one for each day of my Residency:

1. Be generous with yourself. If you are on fire to write, by all means write. But if your soul is crying out to sit, to wander, to play, to rest, please let yourself do those things. They all fill the writer well. They all count.

2. Bring music. I don’t listen to music at home when I write. But, I brought some with me, just in case. I was so happy I did. I played music off and all all day – when I wrote, when I needed a dance party break, when I did some yoga stretches. I was surprised by how much simple joy it brought.

3. Bring something great to read. I brought two writing craft books and my Kindle. I had borrowed a middle grade novel, some poetry, and a short story collection from the library’s Ebook library before I left. The poetry was great for starting and ending my day. The middle grade provided some nice afternoon reading on the deck and not a small amount of inspiration. I never touched the collection of short stories (sorry Hilary Mantel. I know it’s wonderful and I will read it. May you RIP).

4. Bring some art supplies. I’m not an artist by any means. But I did throw in some old watercolors and some fresh pens before I left just in case. I was glad to have them. I doodled and created some laughably terrible and totally fun watercolors several times during the 5 days. It was surprisingly freeing to just let myself be bad at something and have fun doing it.

5. Bring food, but don’t get too precious about it. (Unless food is really your thing. Then do you). I looked at some retreat tips before I left and so many people mentioned food. Elaborate food. I kept it simple because I didn’t have time to prepare something wonderful. I’m glad I did. It turned out I just didn’t care that much about what I ate. I had toast and fruit most mornings, crackers and cheese, raw vegetables, and salami for lunch most days, and fruit and bread for dinner most evenings. Soup and sandwiches filled in the gaps on other days just fine. I did have a few pastries (nothing special) and some cookies as treats which were nice when I wanted them, and a tiny bottle of Prosecco to acknowledge the experience. One thing I wish I had brought was better coffee. That’s it.

Now that I am home and back to the regular world of laundry and grocery lists and empty cat bowls, I am eager to weave the learning and magic I gained from this Residency into my everyday writing life. I left the Playa with a plan for my current work in progress and for myself. I’m excited to get started on it.

Huge thanks to everyone at Playa who made this possible, with extra thanks to Carrie and Kris for being so gracious and wonderful and accommodating <3

[This post was originally shared at From the Mixed-Up Files of Middle-Grade Authors]

 

Nellie Bly

I don’t remember the first time I heard of Nellie Bly. I may have been around the same age as my character Kit in The Tragically True Adventures of Kit Donovan, or I may have been a couple of years younger.

I’m pretty sure I discovered her in the biography section of my school library, a place a spent an inordinate amount of time reading books about a wide range of women – all of whom seemed like women who did things I might want to do when I grew up or had characteristics I wanted to grow in myself. I spent a lot of time with Amelia Earhart (bold), Carol Burnett (savvy and funny), Rosa Parks (brave) and Laura Ingalls Wilder (who at some point decided her own regular life was worth turning into a story). I’m guessing somewhere in there I read about Nellie Bly, and her spunk, determination, and down-right gutsy nature stuck with me.

I didn’t consciously or purposely put Nellie Bly in my novel. She just showed up – right at the perfect time – and gave my character the exact thing she needed to complete her story arc. Writing – when it’s working – is often part magic. Sometimes things come to you in a flash of insight and luck, and sometimes your subconscious hands you the key you didn’t even know you needed. Either way, it’s a sort of alchemy – time travel coupled with story structure sprinkled with fairy dust from the muse. And it’s awesome. 🙂

I’m working on a new book now, so my thoughts are scattered in a thousand directions and far away from the early 1900’s and news rooms. Maybe that’s why coming across this Brain Pickings article about Nellie Bly felt a little like running into an old friend. It took me back – to writing The Tragically True Adventures of Kit Donovan and to that younger version of me reading book after book about interesting and  inspirational women.

The article is fun, plus it contains an animated documentary. Check it out. Maybe she’ll become one of your inspirations too.

 “As the most famous woman journalist of her day, as an early woman industrialist, as a humanitarian… Bly kept the same formula for success: Determine Right. Decide Fast. Apply Energy. Act with Conviction. Fight to the Finish. Accept the Consequences. Move on.”

https://www.brainpickings.org/2019/08/09/nellie-bly-makes-the-news-animation/

 

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